‘The Angel Next Door’: A Heavenly Dose of Theatrical Mischief

Meadow Brook Theatre’s latest production, The Angel Next Door, is a theatrical gem that masterfully intertwines the charm of 1940s screwball comedy with a profound love letter to the art of theater itself. Running from February 12 through March 9, 2025, this Michigan premiere of Paul Slade Smith’s play is a must-see for anyone who appreciates sharp wit, intricate storytelling, and a celebration of theatrical tradition.
[Warning: Spoilers from Meadow Brook Theatre’s production of The Angel Next Door are below!]
The Angel Next Door’s delightful plot has a theatrical flair
Set in 1948 within a luxurious Newport mansion, the narrative brings together an eclectic mix of characters: seasoned playwrights, charismatic actors, an eager young author, and a housekeeper whose patience is tested by the theatrical antics unfolding around her. As their weekend retreat spirals into chaos, the characters resort to staging a play within the play, blurring the lines between reality and performance in a bid to restore order. This meta-theatrical device not only drives the plot but also serves as a homage to the transformative power of theater.

The Angel Next Door not only breaks the fourth wall but completely shatters it, as it brings the audience into the theatricality of story-making. It’s almost like viewing a museum exhibit, where viewers get a snapshot of what life is like for the cast and creatives of a play.
The level of comedy that comes from the meta-ness of the story is where The Angel Next Door really shines, creating an excellent experience for the audience as well as the actors on stage. You can easily see that the cast is having the time of their lives on stage, addressing the art of their craft in the moment and through the media of acting.
Stellar cast and direction in this Meadow Brook Theatre production
Under the astute direction of Travis W. Walter, who is also the artistic director at Meadow Brook Theatre, the ensemble cast delivers performances that are both nuanced and uproarious. David Aron Damane shines as Victor Pratt, bringing a commanding presence and impeccable comedic timing to the role.
Phil Powers and Mary Robin Roth, portraying Arthur and Charlotte Sanders, respectively, exhibit a delightful chemistry, capturing the essence of a seasoned theatrical duo. Together, Powers and Roth push the boundaries to the fourth wall between them and the audiences the most, adding to their comedy and providing some of the audience’s favorite moments in The Angel Next Door.

Chris Stinson’s Oliver Adams exudes the ideal blend of charm and naivety, whose comedy stems from the latter. Oliver finds his heart broken into many pieces, falling into a nearly impossible spiral to break out of on his own. It seems odd to say that heartbreak has never been so hilarious, but Stinson provides a comedic side to what would naturally be a painful experience.
Cheryl Turski’s portrayal of Olga adds layers of intrigue and wit, often getting laughs for her refusal to understand or interact with the antics of all the creatives flooding the mansion. However, throughout the show, you see her warm to their dramatics, eventually becoming a part of the show, although probably against her better judgment.
Last but certainly not least is Olivia Ursu as the star-struck Margot Bell, who brings youthful exuberance and sincerity to the ensemble. There’s a mystery to Margot, as she isn’t seen until Act II, although she’s heard throughout the first one. Margot Bell is, in many ways, the star of the show, as everything that happens in The Angel Next Door is for and because of her. Ursu captures the energy of a golden-age movie star and exudes it on stage in every scene she’s in. She has star power that adds to Margot’s believability, which grounds her as a character that could easily be over-the-top.
Technical brilliance brings another layer of realness to this story
The production’s technical aspects are nothing short of exceptional. Donna Beagle’s scenic design transports the audience to a bygone era of opulence, with intricate details that evoke the grandeur of a Newport mansion. Marley Boone’s costume design further enhances the period authenticity, dressing the characters in attire that reflects their personalities and the era’s fashion.
Neil Koivu’s lighting design and Brendan Eaton’s sound design work harmoniously to create an immersive atmosphere, seamlessly transitioning between the play’s various moods and settings.
Final thoughts on Meadow Brook Theatre’s The Angel Next Door
The Angel Next Door is more than just a comedy; it’s a celebration of theater’s enduring magic. The play within a play structure offers a witty commentary on the art of performance, the blurred boundaries between reality and fiction, and the lengths to which individuals will go to find resolution and happiness. It’s a narrative that resonates with anyone who has ever been captivated by the allure of the stage.
In an era where entertainment options are vast and varied, The Angel Next Door stands out as a testament to the timeless appeal of live theater. It’s a production that not only entertains, but also invites the audience to reflect on the transformative power of storytelling and performance. Meadow Brook Theatre has once again proven its commitment to bringing high-caliber, thought-provoking productions to the stage. Don’t miss this enchanting theatrical experience; it’s a delightful reminder of why we gather in darkened theaters to share in the magic of live performance.
Meadow Brook Theatre’s The Angel Next Door plays in Rochester, MI, from now until March 9, so get your tickets for this hysterical show! Looking to learn more about Meadow Brook Theatre and the shows they produce each season? Check out their website for more details about their incredible work!
Have you seen a production of The Angel Next Door before? Have you visited Meadow Brook Theatre this season? Have you seen this musical before? Let us know on social media @mycosmiccircus or @boxseatbabes or @CosmicCircusBroadway.com on Bluesky!
Exclusive Interview: Chris Stinson and Olivia Ursu of The Angel Next Door